The Mahabharata is regarded as the 'Panchama Veda' or the fifth Veda, signifying that it encapsulates the wisdom of the Vedas through its stories in a summarized manner. The story highlights the significance of virtuous acts within the context of metaphysics and spirituality, considering the perspective of eternity.
In a bygone era, there reigned a virtuous king named Indradyumna, famed for his just governance and numerous Yajnas. His righteousness earned him a place amongst the deities, and he was elevated to the heavens. After an extended period, he was returned to earth, his merits exhausted. Yet, Indradyumna held onto the belief that his benevolent acts should have created an enduring memory, prompting him to seek out anyone who still recalled his name.
Upon meeting Sage Markandeya, an ancient seer reputed to have lived for centuries, Indradyumna bowed and inquired, "O Sage, do you recall who I am? I am Indradyumna." Markandeya, a 'Karma Yogi' known for practicing 'Nishkama Karma' and being devoted to spiritual endeavors while remaining detached from worldly recollections, responded, "I do not remember you, King. I do not desire the fruits of rituals, nor do I retain memories of those involved in them."
Feeling disheartened yet resolute, Indradyumna inquired, "Is there anyone older than you who might recognize me?" Markandeya paused to consider and then replied, "There is an ancient owl named Prāvārakarna residing in the lofty Himalayas. He has witnessed the passing of many ages. It's possible he may have knowledge of you."
Together, they ventured to the frosty peaks and encountered the sage owl Prāvārakarna. Indradyumna, with humility, inquired if he was remembered. Prāvārakarna delved into his memories, but ultimately admitted, "I apologize, I do not remember you, King. However, there is a bird named Nalījangha residing by a nearby lake; he predates me and might possess knowledge of your history."
With their hope rekindled, Indradyumna, Markandeya, and Prāvārakarna journeyed to the lake, where they encountered the venerable bird Nalījangha. Upon being questioned by Indradyumna about his memory, Nalījangha responded, "Indeed, your name has reached my ears, O King. Yet, there exists one even more ancient than I, a grand turtle named Akupara residing in the depths of this lake. He might possess greater knowledge of your tale. ".
As Indradyumna neared the venerable turtle Akupara, a wave of hope washed over him. "O Akupara," he inquired, "do you recall a king by the name of Indradyumna?"
At this, the old turtle's eyes brimmed with tears. Speaking with deep respect, he answered, "How could I ever forget you, my king? You were a being of infinite kindness, conducting innumerable Yajnas and bestowing Dāna so bountiful that it even gave rise to this lake. I have spent my entire life in these waters, forever thankful for the prosperity your actions have brought to this land."
As Akupara concluded his words, a resplendent chariot descended from the heavens, dispatched by the gods to convey Indradyumna back to Dēvalōka. Upon his ascent to the chariot, the sages extolled him, proclaiming:
"Good deeds are akin to seeds; as they flourish in the memories of others, they uphold one's place in the heavens. Similarly, wrongful acts persist in infamy, binding one to suffering for as long as they are recalled. Therefore, those who desire enduring peace and honor must continually endeavor to act virtuously."
Filled with a sense of accomplishment, Indradyumna rose again to the heavens, bequeathing a legacy of righteousness that would endure in the hearts of those he had influenced.
Insights on Metaphysics and Spirituality:
In the celestial realm, there exists a distinct class of beings known as Jeevas or Atmas (souls), specifically referred to as Rajas (Kings), alongside other soul types such as Rishis, Munis, Yakshas, Kinnaras, Gandharvas, and Kim-purushas. These spirits (Atmas) will return to their original forms (Swaroopas), like Rajas or Rishis, upon achieving Saa-Roopya Moksha. Saa-Roopya Moksha is a unique form of Nirvana where the spirit reclaims its astral form or Swaroopa. Raja Indradyumna is one such Raja (King) in a celestial world.
The Puranas and the Mahabharata can be likened to plays performed by Devatas (demi-gods) and Danavas (demons), following the directives and desires of Lord Vishnu. It is important to recognize that while the Puranas may depict conflicts between demi-gods, such enmity does not exist in the astral realm. For instance, the rivalry between Arjuna (associated with Lord Indra) and Karna (associated with Lord Surya) in the Mahabharata is a subject of extensive discussion. In truth, there is no animosity between Devendra and Surya; they operate in harmony, following Lord Vishnu's directives. Devendra and Surya are both Tatthvabhimani Deities and guardians of the eight directions (Ashtadikhpalakas).
The story mentions that King Indradyumna's Punya (positive cosmic energy) was depleted, compelling his return to Earth from heaven (Swarga). However, this is not the case. As mentioned earlier, this scenario was a dramatic enactment by Raja Indradyumna, following Lord Vishnu's directives. The main purpose of this enactment was to enlighten the world about the importance of virtuous actions (Karmas). In reality, Indradyumna had achieved liberation before his ascension to heaven.
The play highlights the significance of virtuous actions, or Karmas, and their impact on cosmic energy. According to metaphysics, every action influences one's energy levels. Virtuous deeds (Sattvic) draw in positive cosmic energy, while neutral actions (Rajasic) deplete it. Conversely, malevolent actions (Tamasic) invite negative cosmic energy and significantly deplete positive energy. People remember us through our deeds, even after several years.
Ultimately, it is our karma that stays with us. Our material possessions and our pride, or ego, do not accompany us to the astral realm. It is eternally through our karma, manifested as service to Lord Sri Hari, that we are protected.
श्रीमध्वेशकृष्णार्पणमस्तु
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Reference: Bhoori Vana Parva of Mahabharata, Chapter 191.
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